ABOUT THE INSTRUCTORS

 

Tony & Jessica Witt

Tony & Jessica Witt (newlywed's) are a certified ACE/AFAA instructors / presenters & Zumba Education Specialist (ZES), based in Kansas City . They are also professional dancers trained in International Latin and Standard Ballroom, Salsa & Swing. In 2004, Jessica & Tony's passions for Latin Ballroom dancing and for Zumba lead them to open their very own dance studio, Amore Dance.

 

Jessica & Tony began teaching Zumba in 2003 as a way to introduce health and fitness to their dance students. Over the last 8 years, they have provided dance and Zumba instruction to over 30 fitness clubs/schools in the Kansas City area.  Since 2006, over 3000 instructors have attended Jessica & Tony's Zumba & Dance workshops and become Zumba-fied and dance inspired.  Most recently, Jessica & Tony formed part of the cast of Zumba's brand new fitness videos, just released in January 2008.  Fusing music, entertainment and fitness, Zumba is one of the hottest and fastest growing dance and fitness phenomenons in the world.

 

They currently teach and perform at worldwide dance and fitness conventions including, Idea Fitness, Chicago Salsa Congress, New York Salsa Congress, SCW Fitness, Can Fit Pro, DCAC, AFAA Japan Conventions, AFAA Taiwan Conventions, and more!

 

“Competing and performing always pushes you to dance at a higher level and improve at a much faster pace. Though I love performing, my true passion lies within the dance itself. Performing and teaching simply allows me to share my passion with others. Dance is becoming one with the music and your partner through connection and movement. It is your ability to let go with the right sense of pressure, lead and follow, and exchange of psychic energy that merges two dancers and the music into one congruous experience.”

Contact Amore Dance Studio at 816-84-AMORE    info@amoredance.com

 

 
     

Deanna Taphorn

My name is Deanna Taphorn. I've been a Zumba instructor for 4 years and counting! I first got my first taste of Zumba with Tony and Jess's first Zumba class in the K.C. area 5 years ago. Ever since then I've been hooked and having a blast. My personal preference for working out is Zumba as the music and melody is always changing. There is no monotony to the class and that makes me want to work out. The other great thing about Zumba is it doesn't matter what background or shape you come from. Anyone can do it just as I do!!!

Some ask me how long I've been a dancer or have been dancing. I've always loved to dance but I'd never taken a professional lesson in my life. That did change once I met Tony and Jess and took there Salsa classes at the studio. Other than that, Zumba has inspired me to move my body to the music with the benefit of getting a workout.

Zumba helps me to unwind after a long day at work. I do Graphic Design during the day which keeps me in my seat for hours at a time. This class helps me to get any stress or anxiety from work out of my system. I always feel better after doing a class and I've met some wonderful friends throughout the years. Zumba to me is a second family. Everyone is having fun and is interested in the person next to them. I love the fact that before class we talk about how are days went and what is new in our lives. In all the other classes that I've ever taken at different gyms it's the only class where people become friends outside of the workout.

Come join us! Ditch the Routine and Join the Party!!
Thanks, Deanna
 

 

 
Kyle Patel Originally from Pittsburgh, PA, I began dancing during my freshmen year of college (2001).  I love jazz, and I thought that it would be amusing to try a lindy hop class.  I ended up taking the ballroom and salsa classes as well.  They were a blast!  I began teaching in 2004 when I took over the classes for the University of Pittsburgh (Pitt)'s social dance club.  At the same time I began teaching at a ballroom studio.  I've taught in a variety of settings, from private lessons, to parties, to workshops.  I've also had a number of enjoyable performance opportunities, including doing several swing and ballroom performances with the Swingsters, a Kansas City swing group.  I love many styles of dance, but my favorite is West Coast Swing.  For the past year and a half I've lived in KC and spent many of my weekends traveling around the country competing in World Swing Dance Council events and meeting West Coast Swing enthusiasts from all over the world. 
My favorite competition is currently Dallas Dance, which has some of the best late night dancing you'll ever find.  My favorite performance was the Kansas City Dances with the Stars Show, a local live show version of the television show Dancing with the Stars.  My celebrity and I won doing a Foxtrot.
Dance is my passion.  I'm constantly working on my own dancing and I love helping others work on theirs. 

 
 
yl

Jon Micmichen

 

My name is Jon McMichen. I teach Hip/hop, poppin, and electric boogaloo. I  have been dancing for a total of 4 years. In the 4 years I have learned many styles. Poppin, Electric Boogaloo, Lockin, Tut, etc. In this 9 week course I am teaching a basic hip/hop routine which I add onto to it, as my class  learns each 8 count. In this class I am also teaching the beginning steps of
gliding, waving, and popping. I've won a couple talent shows, 1 at Penn Valley, also I taught a hip/hop routine to an AAU Cheerleading Competition Team, who ended up taking first place. Hip/hop is something I can teach, but the street style is more of my style. My class is made up of 30% hip/hop, 70% street style. Be ready to sweat, jam, glide, wave, and pop/lock. But most of all I want you to become the dancer you want to be. I'm Ready to teach you. Are you ready to learn?

 

 
 

 

 

Rana Alhena

My given name is Barb, but I’ve had the pleasure of selecting a professional name from an Arabic base.  A laqab (pronounced LAH-kahb), is a combination of words into a by name or epithet, usually religious, relating to nature, a descriptive, or of some admirable quality the person had (or would like to have).  I tried to select my name accordingly - Rana (to gaze, look) Alhena (alluding to a “brand” or mark).  Alhena is also the given Arabic name of a star located in the constellation Gemini.  Those who know me will understand how this might fit, but the name also flows musically - Rana Alhena.

            Although I had no formal dance instruction as a child, the art and form of dance has consumed me since the beginning.  Whether it’s the beat on the radio, in the club, or in my head, I can never stop dancing.

            After ten years and two degrees, I had achieved my career goal of becoming a Special Education Teacher.  Despite my satisfaction with this achievement, I suddenly found myself without a goal to pursue.  Sitting still has never been my style, so in 2001, I decided to take some dance classes.  I signed up for ballet and belly dancing.  I expected ballet to be difficult, and I was not disappointed; however, the complexity of belly dancing surprised and enchanted me.  I have been working diligently ever since to master this art form.

            Thanks to my teacher, Zada, I had my first performance in 2003 and was instantly taken with being on stage.  Although I had to learn to relax, it is on stage that I have discovered the heart and soul of Middle Eastern music.

            This year I was presented with the opportunity to combine my two loves, dancing and teaching.  I have met some wonderful people along the way and continue to learn about myself as I become a better dancer, performer, and teacher.

            In addition to studying with Zada Al Gaziyeh since 2001, I have also attended workshops with Yousry Sharif, Cassandra, Souhaila Salimpour, Princess Farhana, and Dahlia Carella.  I have performed in Cairo on the Kaw, the KC Renaissance Festival, and other events around KC and Lawrence with Raghsidad since 2003.  I’ve also performed at both the Lawrence and KC locations of Aladdin Café as well as Olympic Village Restaurant in Overland Park.  In July of 2007, I traveled to New York City to study with Yousry Sharif, Aida Nour, and Tito.  I am looking forward to incorporating these Egyptian techniques into my classes.

            Every dancer has her own reasons for choosing to study Middle Eastern Dance forms, but there is one thing we all share..... finding the path that leads to personal growth and gaining the strength and clarity to become a more beautiful woman!

 

 

 

Tom & Linda

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   The above photo is Linda with Calvin Porter III performing with their group in Ft. Leavenworth, provided by the “Ft. Leavenworth Lamp” newspaper. The group photo above is provided by Sarah Kelsey. Photo provided by Marc Oohgeey at home of Tom & Linda.

Linda grew up in the Kansas City area & began tap, ballet & gymnastics at the age of six.  She developed a love for gymnastics where she has performed in floor routines, the balance beam & parallel bars.  In 1996 she began running & entered her first road race which was the Hospital Hill ½ marathon.  With that under her built she decided to run her first marathon in Logan, Utah & second in Lincoln, Nebraska. After completing more road races over the years she switched to triathlons one of which she placed 3rd   in her age group.  Through the years she was a dancer in “The Boy Friend” & was one chosen out of many to be a part of a workshop for the Kansas City Chiefett’s ½ time dancers and continued to take some ballet, belly dance & aerobic classes.

She is married to Tom Alvarado who also grew up in the Kansas City area.  Tom grew up with a lot of exposure to dance with both his mother & aunt performing for the Mexican Fiesta’s.  His mother use to dance with him at a very young age.  His aunt went on to compete in Ball Room Competitions winning many trophies. After being introduced to the Salsa scene from a Cruise to the Caribbean in 2001 Tom knew he & Linda had to learn how to salsa dance.  When they returned home Tom, through the internet, found Howard Carney & they started dance lessons at the Madrid Theater early in 2002.  Soon after learning Salsa Tom started learning Casino Rueda. Later that year Linda learned Casino Rueda as well.  Their love for this exciting dance; which is a Cuban, circular style, with all couples performing the same move simultaneously, & their desire to build community inspired them to begin teaching Casino Rueda in 2005. They teach & prepare students for performing as part of a group now known as Casino Rueda KC.  Tom & Linda performed with the Casino Rueda group in Atlanta in 2006 during the “Day of the Dead” celebration & their group has performed for Fiesta Latina, Ft. Leavenworth, Penn Valley Community College, KC School of the Performing Arts & Embarq.  Tom & Linda are owners of a sign company called Advertising Arts Sign Co. Inc. that was establish in 1959 by Tom’s father who retired in 1990.  Tom is the Graphic Artist & Linda is the sales manager & estimator.

View Casino Rueda Performance with Tom and Linda at Amore Dance May Social

  

 

Nicole English

About My Background
bullet My Mother, Gloria English: 
bulletMy mother was a classically trained ethnic dancer, who specialized in Modern, Oriental, Spanish, Latin, and Tropical dance forms;
bulletStudied under many teachers, including Serena, Jose Limon, Jose Greco, and La Meri. 
bulletPerformed with the Kansas City Civic Ballet and Baroque Modern Dance Co. 
bulletTrained in KC under Ms. Tanya and Irmgard Altwater. 
bulletDanced professionally in Chicago, NY, but most of career was in Mexico City, Acapulco. 
bulletTaught both professionally and academically. 
bulletLater she had her own professional company, the Gloria English Dancers, and we had our own dance school, the Nikoria Academy. 
bulletTogether, we est. the first dance school offering Middle Eastern Belly Dance lessons, performances. Also taught in other studios, including RanchMart Dance School (as partner with former KC Ballet alum, Judy Gillespie), TC Dance Studios, Jewish Community Center, Metropolitan Community Colleges (all branches), various YMCAs, community centers. Also trained a team of teachers to teach different levels of dance. Trained Zaina Ali of Tasso's. 
bullet About Me: 
bulletGrew up with dance. Was classically trained as an ethnic dancer, who specialized in Mid-East, Modern, Oriental, some Spanish, Latin, Polynesian, and Tropical dance forms;
bulletStudied under many teachers, including Serena (NY), Jose Limon, Jose Greco, and Ibrahim Farrar (NY). Also: Electra, Dahleena, Melanie (all of Chicago); Bert Baladine (SF); Ozel Turkbas; Jameela Salimpour and protege Aida; Morocco;
bulletTaught seminars with Electra, Ozel Turkbas, Serena, Morocco;
bulletDanced with the UMKC Conservatory and Baroque Modern Dance Co. 
bulletDanced professionally in Chicago, NY, SF, Las Vegas, but most of career was in KC.
bulletTaught professionally & academically. In academia, became my mom's Dance Assistant. 
bulletTaught various workshops around the country, including MI, AL, Chicago, and Las Vegas. 
bulletChoreographer, teacher, performer, and Dance Mistress for the Gloria English Dancers, and co-founder of the Nikoria Academy. 
bulletAlso taught locally for various community centers, Flamingo Dance Studios, TC Dance Studios, Farrety Dance Studios, Jewish Community Center, Shalimar's Middle Eastern Dance Academy, City in Motion, Amore Dance Studio, among others. 
bulletStarted as semi-professional performer at 12 yrs old, & professional dancer at 15 yrs old.
bulletStill perform and teach. Grad student/instructor at UMKC, in computers, psych, sociology. 
bullet Oriental and Middle East Dance Experience: 
bulletBeen doing Oriental dance since 12 yrs old. Been performing Mid-East since 15 yrs old. 
bulletMost of my training was from my mother, her teachers, and her Lebanese students. 
bulletTook various workshops during teen years, as an ethnic dancer with my mother. 
bulletBegan performing Oriental in mid teens as a professional, as part of my ethnic dance skills. 
bulletTravelled around the US performing and teaching, including NYC, Chicago, Omaha, San Francisco, Seattle, and Las Vegas. 
bulletStill perform and teach for local events, parties, and restaurants in the KC area. 
bulletLearned dance both as strict dance form and as dynamic dance form. Ancient & new. 
bulletReceived additional training mostly in NYC with Ibrahim Farrah; also took lessons with Melanie, Dahlena both of Chicago; Jamila Salimpour, Aida (her protege), Burt Baladine all of SF;
bullet Highpoints of Middle East Dance Career:
bulletPerformed for Republican National Convention (by invitation). 
bulletHad own Belly Dance Lessons cable TV show (briefly) on American Cablevision. 
bulletVarious local TV appearances. Numerous local radio appearances. Including KCMO Mike Murphy final show before moving to St. Louis. 
bulletWorked in most Greek and Mediterranean restaurants in KC area, including Grecian Gardens, Tasso's (fill-in), Zorba's, Greek Isles (guest spot), Olive Tree, Gus's Greek Restaurant, Cafe Nile, Azel's (both KS and MO locations), Jeruselum Cafe (Westport); Vedah's, Cafe Cedar, Kabob House; Georgia's; Smuggler's Inn; Cafe Merjion;
bulletBriefly held the Guinness Book of World Records for Marathon Belly Dancing, later broken by Scheherazade of London. 
bulletTaught National Seminars with Electra (Twice), Morocco of NYC (Twice), Ozel Turkbas of Turkey and NYC, Serena of NYC, Jamala of NYC, Aida of SF, held in Minneapolis, MN, Lancing, MI, Columbia, MO, Huntsville, AL, Indianapolis, IN, and Las Vegas, NV. 
bulletNotable performances include those with Eddie Kochak in NYC, Raja Zahr in Seattle, WA, with Serena in Chicago and Las Vegas, Morocco (numerous times and locations), Ozel Turkbas of NYC, Electra of Chicago, Bert Baladine (numerous times and locations), Ibrahim Farrah in Chicago, NYC, Las Vegas. 
bullet 
bullet 

Notable Accomplishments:

bulletOpened first Mid-East Dance school in KC (with Mother). 
bulletTrained a number of professional Dancers who went on to teach others. 
bulletPerformed in major KC Mid-East local restaurants. 

Contact Info:

bulletEnglishN@umkc.edu
bulletKCDance.com, Mike Strong, 816-471-4110
bullethttp://WebmediaWorkshop.com/My/

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About the Dance, 4 Approaches to the Dance

bulletDance as Exercise, Aerobics, Fitness
bulletDance as Culture, An ancient Ethnic dance form (before religion influenced)
bulletDance as Cabaret performance
bulletDance as Culture, Neo-Traditional Dance Form (Popular Culture, Fusion)
bulletDance as Culture, Improvisation (dynamic, growing dance form; part of pop culture there)

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Our Mission at Amore Dance

·         To provide quality teaching at affordable prices, enticing new students to begin dancing around the Kansas City area.

·         To ensure that clients have fun while promoting good health. Personal gains, such as improved self-esteem and self-motivation, combined with measurable benefits are only some of the proven benefits of a fun dance and fitness program.

·         To serve as a source of quality dance instruction, aerobics instruction and performances for companies and fellow dance performers.

·         Use Zumba as a way to introduce people to dance and thus develop a larger dance and music community.

 

 

 
     

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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